Today (June 27, 2023) is Elmo Hope's 100th Birthday, Happy Birthday Elmo!
June 18 was the 70th anniversary of Elmo's first trio recording as a leader, which also has special significance in 2023, because the other two members of Elmo's trio also have their 100th birthdays this year, legendary drummer Philly Joe Jones and legendary bassist Percy Heath.
Now all six of Elmo's originals from this important trio date are available on jazzleadsheets.com
Piano legend Cedar Walton is newly represented on jazzleadsheets.com with two songs from the repertoire of Art Blakey's Jazz Messengers. The uptempo Latin Mosaic is one of Cedar's compositions that have become standards. He recorded it with four very different instrumentations and arrangements. First was a quintet version on Clifford Jordan's 1961 album "Starting Time," also featuring Kenny Dorham. The Blakey version was recorded four months later, arranged for sextet. Cedar recorded Mosaic with his quartet Eastern Rebellion in 1990, and a trio version in 2000. We have parts for the quintet and sextet arrangements, and condensed scores for the quartet and trio versions. In addition, "as recorded" parts and score are available for a septet arrangement by Don Sickler, recorded on an all-star tribute to Blakey in 1993. Also check out two trio versions by rising star pianist Emmet Cohen, linked in the notes for Cedar's trio recording. There's even a vocal version - Life's Mosaic - with a lyric by John and Paula Hackett. It's been recorded in different keys and tempos by quite a few singers; we're featuring versions by Vanessa Rubin, Mark Murphy, Miles Griffith, and Kendra Shank.
Also originally from the Messengers' repertoire is Cedar's The Promised Land, a bouncy stop-time swinger whose form is like an extended blues with a bridge. We have a lead sheet and "as recorded" parts for the Blakey sextet version, a second lead sheet reflecting Cedar's slightly different 2001 quartet recording, and a new arrangement, not yet recorded, featuring the bass. This bass melody version works in a duo (with piano) or trio setting.
Of the six other recently added songs, three more are by master pianists. Rodgers Grant's Reconciliation is a rhapsodic, exquisitely detailed song, originally recorded (like his earlier Morning Star) by Hubert Laws. Rodgers' solo piano arrangement is available with exclusive audio and video by Kenny Drew, Jr. From Jack Wilson we have Herman's Helmet, an eclectic mix of stop-time, bossa, and swing with a relatively relaxed mood. The two recordings, Jack's original from 1968 and Blue Mitchell's in 1971, are quite different; a condensed score is available for the former, and full score and parts for the latter's sextet arrangement. Song Of Praise is a warm-toned ballad by Fritz Pauer, recorded in a duo setting with Art Farmer. Fritz's solo piano version is available but hasn't been recorded yet.
We also have two more songs by Justin Robinson. Lamentations For R & D is a tribute to pianist Ronnie Mathews and bassist Dwayne Burno. Like many of Justin's songs, it's a complete statement packed into a very simple, compact form. A transcription of his alto sax solo is available. A bit more involved is Jeremy Isaiah, an exciting medium swinger named for Justin's son. This one has a bit of rhythm section counterpoint shown in our combined piano and bass part.
Finally, Okay Blues is the only Harold Land composition on "Eastward Ho!," Harold's 1960 album featuring Kenny Dorham. It's a bouncy minor blues head with some slippery bebop-style lines and an unusual three-measure intro - a Harold Land classic.
June 7, 2023, is a special day for us at jazzleadsheets.com. It is the launch of Conn Selmer's first CONNECTION SESSIONS video, featuring Hank Mobley's Up, Over And Out. It's a fun video we hope you will all check out. The opening view is of NYC and the George Washington Bridge, then the camera pans to the roof of the Van Gelder Recording Studio. You can understand why it was so easy for great jazz musicians to get to the studio from NYC. They loved the opportunity to record in this incredible acoustic studio that Rudy Van Gelder created in 1959 in Englewood Cliffs, New Jersey. The video then takes you inside the studio where you meet our own Don Sickler and then Maureen Sickler (Rudy Van Gelder's assistant for 30 years, who Rudy entrusted with the studio). The video then introduces the musicians for the session, who perform Don Sickler's sextet arrangement of Hank Mobley's Up, Over And Out.
Thank you to Conn Selmer, and especially to all of their staff who helped in the creation of this video.
We were already working on some songs by James Williams when we realized it's his birthday today (March 8) - as good a day as any to add them to jazzleadsheets.com. Four of James' songs are newly available. All of them are lyrical, concise, and memorable in his distinctive style; each of these songs has a form only 16 measures long. Two of them were recorded on James' second album as a leader, "Everything I Love." Thoughts is a gentle, introspective Latin song; a piano part is available showing James' intro and fills from the recording. For My Nephews is a beautiful, warm-toned 3/4 song that has been recorded quite a number of times; besides the quartet version on "Everything I Love", James played it in duo settings with bassists Dennis Irwin and Ray Drummond, as well as another quartet with saxophonist Clifford Jordan. James' solo piano arrangement of this song is also available with an exclusive recording by Kenny Drew, Jr.
Wishful Thinking comes from James' third album as a leader, "Images (Of Things To Come)." A bright-sounding song despite its minor key, it was recorded with a funky Latin-rock feel but could also work with other kinds of grooves. Finally, Roadlife is one of James' most fun songs, a swinging 16-measure blues. First recorded by James with an all-star trio with Ray Brown and Elvin Jones, we also have a video of a large ensemble performance led by pianist Jonathan Batiste. It's been recorded by several other pianists including Mulgrew Miller, Eric Reed and Glenn Zaleski.
One of James' nephews was the drummer Tony Reedus, who we are now also introducing as a composer on jazzleadsheets.com. The Far Side is the title track on Tony's first album as a leader; it's an uptempo burner with plenty of drum breaks. We also have his rhythmic minor blues head Minor Thang. Tony's album "The Far Side" also has two songs by pianist Jonny King, now available as well: the uptempo The Stumbling Block and the bossa Song Of Gideon. Both have challenging, inventive changes in Jonny's signature style.
One more composer - also a drummer - is newly represented: Steve Johns. We've featured Steve in several of our exclusive Minus You tracks, but now we have two lyrical, laid-back songs of his on jazzleadsheets.com. Deep Blue and River's Edge were both recorded by two bands: Bill Moring's Way Out East and the quartet Native Soul.
Our first new arrivals in 2023 cover a variety of styles and tempos. First up is Nino's Scene, a sunny calypso song by Sergio Mihanovich recorded by Art Farmer. Curiously, Art's version is a studio recording that was marketed as a live album, with overdubbed applause.
We have one newly added song each by pianists James Williams and Donald Brown. Both of these were recorded in quartet settings with saxophonist Billy Pierce, whom both played with in different incarnations of Art Blakey's Jazz Messengers. Williams' Images (Of Things To Come) is an elegant, lyrical 3/4 song with a colorful set of changes. We also have an exclusive solo piano version by Kenny Drew, Jr., playing the composer's own arrangement. Blue Nostalgia is Donald Brown's take on a mid-'60s style associated with another onetime Jazz Messenger, Wayne Shorter. It's an uptempo song with a slightly irregular form and some quite advanced chords.
We recently put up several co-written songs by trumpeter Jim Rotondi and tenor saxophonist Eric Alexander. One more is available now: Stay Straight, a sequel to the earlier Straight Up. This lively uptempo swinger is a variation of the Straight Up theme in a different key, with a new bridge 16 measures long instead of 8. A full set of horn parts is available for the sextet arrangement. Eric Alexander also played on the recording of Jose's Lament by pianist David Hazeltine. This laid-back song, which alternates between swing and a 12/8 Latin groove, comes from an album by drummer Joe Farnsworth also featuring bass legend Ron Carter.
Trumpeter Jim Rotondi and tenor saxophonist Eric Alexander are both great musicians and accomplished composers in their own right, but they have also collaborated to write several fun, challenging and groovy songs they've recorded together. We've had Biru Kirusai up on jazzleadsheets.com for a while; five more co-composed songs of Jim's and Eric's are now available. The earliest of these is Straight Up, first recorded in 1992 as the title track of Eric's first album as a leader. This high-energy uptempo blues with a bridge was later recorded by Jim and Eric with the cooperative sextet One For All. Burner's Waltz is a modal 3/4 song dedicated to, and recorded with, master organist Charles Earland, the "Mighty Burner," with whom the two composers played extensively. Likewise Mode For Mabes honors another veteran collaborator, pianist Harold Mabern. This one features a medium Latin-rock groove and a piano intro vamp in Mabern's distinctive style. Two more come from Jim's 1997 album "Jim's Bop": the slow, laid-back Last Call and the angular medium-up King Of The Hill.
In addition to lead sheets, all of these songs have parts available for the arrangements heard on the original recordings. All are quintet arrangements except for Mode For Mabes which is for sextet.
Our two latest additions to the Piano Corner are very different. First is Geoffrey Keezer’s Premonition, a subtly ominous medium-slow song that packs a lot of rhythmic and harmonic variety into a short form. Originally recorded on Roy Hargrove’s debut album as a leader, our lead sheets reflect this first version. James Spaulding recorded this song in a different key, playing the rarely featured bass flute; we have a lead sheet based on this recording as well. Geoffrey’s solo piano arrangement is available as well as exclusive audio, video and score of a duo version he recorded with bassist Daryl Johns.
On Fletcher Henderson's Soft Winds we now have a piano melody and solo transcription from Art Tatum’s 1944 trio recording. As with many Art Tatum solos, this one may take a few listenings to fully comprehend! This is a great opportunity to get an in-depth look at the style of one of the most virtuosic soloists of the Swing Era.
Two classics of 1950s “cool jazz” are also now available. Tasty Pudding is a mellow minor-key swinger by Al Cohn, which has been recorded in quite a variety of different keys, tempos, and arrangements. We have no less than six versions available: the original Miles Davis recording with Al’s full septet arrangement, and condensed scores for versions by Chuck Wayne, Stan Getz and Bob Brookmeyer , Chet Baker, Dave Frishberg, and Herb Geller.
Also recorded by Chet Baker is In A Little Provincial Town by tenor saxophonist/flutist Bobby Jaspar - a charming, romantic ballad with a rhythmic double-time intro. Our lead sheets are based on Bobby’s own 1956 quintet recording, but we also have melody parts reflecting the arrangements recorded by Chet and by J.J. Johnson. J.J.’s is the best-known recording of this song and features Bobby on flute with the classic rhythm section of Tommy Flanagan, Wilbur Little and Elvin Jones.
Hi, jazzleadsheets.com customers.
You may have recently received an email from orders@jazzleadsheets.com that has information from your orders from the last few years.
The part of the website that sends emails to customers has apparently not been working correctly for a few years. The tech guy fixed it yesterday. Now it's sending out all the backlogged notifications. No need for you to worry, all is secure and you are not being charged again.
We apologize!
Check out the new music we have!
Maureen Sickler
jazzleadsheets.com
don@secondfloormusic.com
212-741-1175
We're excited to bring the music of Bennie Harris (affectionately known as "Little" Bennie Harris) to the jazzleadsheets.com catalog. Bennie was a trumpeter and composer associated with the original bebop scene in the '40s. Several of his compositions have become standards, but they're not always properly credited. Wahoo, one of two Harris songs now on jazzleadsheets.com, has often hidden in plain sight: it's frequently played as a shout chorus for the Juan Tizol standard Perdido, whose chord progression it shares. Wahoo definitely stands alone as its own song; our lead sheet is based on the first issued recording, a live version by Tadd Dameron's quintet.
Bennie Harris stopped playing in the '50s, but he remained closely connected to the scene as a talent scout, helping to launch the careers of younger hard bop musicians such as Joe Gordon and Tina Brooks. Evidently, he was still composing in the '60s, as shown by Mid Nite Lament. This beautiful, haunting ballad is still very obscure but, by making the lead sheet available, we hope it will get the recognition it deserves. It was recorded in 1963 in Los Angeles by alto saxophonist Earl Anderza, featuring the brilliant but under-recognized trumpeter Dupree Bolton; this recording was unreleased until 2007. We also now have a video of this song on our YouTube channel, played by alto saxophonist Elijah Shiffer and pianist Ben Rosenblum at the jazzleadsheets.com studio.
One more Don Friedman song is also now available. From A To Z is a Friedman classic—equal parts bossa and baroque. Like others of his songs, Don recorded this one several times in a variety of settings and tempos. Our lead sheet is based on the last recording of this song, from his quartet album "Friday A.M." In 2011, Don recorded it in a duo setting with then 15-year-old bass prodigy Daryl Johns at Van Gelder Studio in Englewood Cliffs, New Jersey. Exclusive audio and video is available as well as for the other songs Don and Daryl recorded at this session.
Don Sickler: I can still remember the thrill of meeting the legendary pianist Phineas Newborn, thanks to composer/pianist James Williams. James first brought him to our rehearsal studio in NYC to go over music for some upcoming projects James had planned for Phineas, probably in the early 1980s.
Phineas Newborn, Jr., can already be found on jazzleadsheets.com playing Ray Bryant's Reflection on the classic Roy Haynes trio session "We Three," recorded at Rudy Van Gelder's Hackensack studio in 1958. Pianist James Williams would have only been seven years old at that time, so he may not have been familiar with Phineas then. On the other hand, the astute James Williams might have already been digging Phineas' playing! They were both in Memphis.
Phineas is connected to SFM/jazzleadsheets in other ways: he was the first pianist to record Clifford Brown's Daahoud in a piano trio context in 1956. For a real treat, check out Phineas playing Ray Bryant's classic Cubano Chant (solo piano in 1979) [click on the album cover with Ray's giant hands and scroll down to see the video].
Now jazzleadsheets wants to celebrate Phineas Newborn, Jr., with five tribute pieces by three of our composers. Phineas was a big time hometown hero to both James and Donald Brown. Geoffrey Keezer also got to meet and hang out with Phineas through James. Check out how Phineas inspired these composers!
-- by James Williams
Phineas: The Living Legend
Fond Times With Junior
-- by Donald Brown
Phineas
--by Geoffrey Keezer
Newborn Spirit
Waltz For Phineas
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