September 21 is the anniversary of a very important recording session in 1956. "Whims Of Chambers" was Paul Chambers' debut as a leader on the Blue Note label; it features an all-star lineup with Donald Byrd, John Coltrane, Kenny Burrell, Horace Silver, and Philly Joe Jones. Three of Paul's songs were recorded: Dear Ann, Tale Of The Fingers, and Whims Of Chambers. Besides the lead sheets, we have bass transcriptions which cover everything Paul played on all three songs - melody, solos, and walking. Also check out Don Sickler's unique arrangement of Whims Of Chambers for four basses, originally recorded with then 13-year-old bassist Daryl Johns overdubbing on all parts. More arrangements from this multiple-bass project are coming soon.

Don Sickler: The school year is upon us again, a perfect time to celebrate the anniversary of the first recording of then 17- year-old pianist and composer, Geoffrey Keezer. For me, this album still stands as a great album by an already mature pianist/composer. I've been blessed to know Geoffrey since his arrival in NYC when he was introduced to me by his mentor James Williams. When Geoffrey was coming up, established leaders such as Art Blakey, Art Farmer and Ray Brown were still on the scene; it was great to see Geoffrey get to take full advantage of playing and recording in their groups, also contributing original compositions and arrangements to their repertoires.

Our new "Waiting In The Wings" album editions are Waiting In The Wings and Tropopause. Check them out!

To kick off the Kenny Dorham Centennial Year, on his birthday (August 30, 2024) jazzleadsheets.com filled our NEW ARRIVALS listing on our Home page with 10 new editions of Kenny's compositions. D.C. Special, Dorham's Epitaph/Extension, Fair Weather (instrumental), Fair Weather (vocal), Lotus Flower, Mexico City, No End, There's No End, None Shall Wander and Tonica are now available. We'll be adding more new editions throughout his centennial year.

Also, happy birthday to Kenny's middle daughter Evette (he had 5 daughters). Evette shares her father's birthday. As part of Kenny's centennial celebration, Evette will also be starting an online series of classes on Kenny's music for Jazz At Lincoln Center's "Swing U." More information will be available at this link starting on September 12. https://jazz.org/education/public-programs/swing-u/

Also check out this video promoting K.D.'s centennial celebration this weekend at Dizzy's Club, featuring short comments by Evette, Bruce Harris, Joe Magnarelli, Tim Hagens, Jeb Patton and Ulysses Owens. https://www.facebook.com/jazzatlincolncenter/videos/celebrate-the-100th-birthday-of-jazz-legend-kenny-dorham-at-dizzys-club-in-a-spe/1271878824191500/

Don Sickler: In a little over a week, on August 30 (Kenny Dorham's 100th birthday), we start celebrating the Kenny Dorham Centennial year. Jazzleadsheets.com is determined to continue enriching our catalog of Kenny Dorham's music throughout the year. K.D. (as Dorham was affectionately known) is a vitally important trumpet player and composer: all jazz musicians should experience playing his very special music. On his birthday, we'll be adding some more K.D. gems to our catalog.

For this week, we want to take you back to the mid 1940s bebop era, after Kenny arrived in NYC. In Kenny's own words, published in Downbeat's 1970 Music Directory "Fragments of an Autobiography": After having been a protege in the first Dizzy Gillespie Orchestra (1945)--Dizzy's protege--I was groomed to succeed Fats Navarro, who had succeeded Diz in Billy Eckstine's orchestra. It was really a hot chair. I was following the two most outstanding trumpeters in jazz history . . .

During his early time in NYC, he was also getting playing and recording experience with big bands like Mercer Ellington.

On August 23, 1946, Kenny did a morning and afternoon recording session as the trumpet player in two Sonny Stitt All Stars sessions for Savoy Records. The morning session included what I believe are Kenny's first two recorded compositions, Bombay and Fool's Fancy, both now on jazzleadsheets.com. In 1947, he recorded The Thin Man (already on jazzleadsheets.com), and we're now making Baby Sis available from Kenny's May 15, 1949, recording session in Paris, France with the Max Roach Quintet. The first recording I know of Kenny Dorham with Max was the Christmas Eve radio broadcast, Royal Roost, NYC, December 25, 1948, when Kenny started working as the trumpet player in the Charlie Parker Quintet. Kenny's work with Charlie Parker finally brought him to the attention of the jazz world.

As Kenny Dorham's publisher, my main goal remains the same: to make correct editions of Kenny's music available to musicians and fans worldwide. I will work in earnest to bring out many more editions of his music during his Centennial year. Educationally, K.D.'s music is extremely important, as his writing requires and inspires engagement and cooperation among all playing it. I'm going to be working on expanding The K.D. Challenge editions, which give insight into the intricacy and importance of his incredible rhythm section writing that makes each member of the rhythm section part of the compositional process. I feel all jazz rhythm sections need to experience playing this music.

Here are links to some NYC events celebrating Kenny Dorham at Jazz at Lincoln Center
AUGUST 29, 2024 7:00PM VARIS LEICHTMAN STUDIO
LISTENING PARTY: KENNY DORHAM CENTENNIAL CELEBRATION
https://ticketing.jazz.org/17458/

August 30, 31 and September 1: performances https://ticketing.jazz.org/17109/

For the recording anniversary of Hank Mobley's 1965 album "Dippin'" we added The Vamp and The Dip. For Hank's birthday (July 7th), we're releasing Ballin' from the same album including a transcription of his solo. All of Hank Mobley's compositions from "Dippin'" are now available and they're all fun to play. You can continue to celebrate Hank by checking out more of his songs on jazzleadsheets.com, including all the originals from these other albums: "Peckin' Time," "Soul Station," "Workout," "Another Workout," "No Room For Squares," "Third Season," "Far Away Lands," "Hi Voltage" and "Reach Out" - even more coming soon!

On June 27 we celebrated what would have been Elmo Hope's 101st birthday by releasing Eyes So Beautiful As Yours, an exquisite ballad from his 1961 album "Homecoming." Full score and sextet parts are available. Also check out pianist Sullivan Fortner's video of this song (second album cover).

We've also added six songs with recording anniversaries in late June:
-- June 17 and 18, 1963: Let's Try (Tom McIntosh) from James Moody's album "Great Day" plus the original Maynard Ferguson recording.
-- June 18, 1965: The Dip and The Vamp (Hank Mobley) from his album "Dippin'."
-- June 21, 1962: Space Station (Grachan Moncur, III) from the Art Farmer-Benny Golson Jazztet album "Another Git Together" - also check out our very different exclusive solo piano recording by Micah Thomas
-- June 25 and 26, 1993: Peacemaker (Cecil McBee) from Arthur Blythe's album "Retroflection" and others
-- June 25 and 26, 1986: Alvin's Smile (Harold Land) from the Timeless All-Stars album "Essence"

To celebrate the June 4-5 recording anniversary of Donald Brown's first album as a leader ("Early Bird" - 1987), you'll see we've added editions so all of Donald's originals from this album are now available for you to study and play …

We couldn't find the exact day in June that Donald recorded his trio album The Sweetest Sounds which also contains Donald's first recordings of two more of his classic compositions Affaire D'Amour and Nature's Folksong, so we're are also making those lead sheets available now.

On June 6, 1987, the next day after Donald completed his "Early Bird" album, saxophonist Bill Pierce went into the studio making the first recording of Donald's Afronomical. A masterpiece!

Today, June 3, is the recording anniversary of two important jazz standards.
When Kenny Dorham suggested to Joe Henderson that each write a bass line first, then create a melody on top of it, for Joe Henderson's "Page One" album, they had no idea that these bass lines would ignite the creation of two important jazz standards: Kenny Dorham's Blue Bossa and Joe Henderson's Recorda-Me. Get the whole story on the Historical Notes pages for The Forgotten Line and Blue Bossa.

You 'N' Me! We're starting our June recording anniversary celebration off this year with Al Cohn's original recording (with Zoot Sims) of this great composition. We hope you'll also check out our June 1-7 video which starts with Al's The Note, which is from the same album.