The Feelin’s Good – Hank Mobley
Recently I got a very nice email from one of our customers, Steve Christian: “I wanted to express my gratitude for the wonderful resource you have created …” He went on to say great things about Hank Mobley music, and asked: “I hope you have plans to release more of Hank’s treasures in the future. I would love to see The Feelin’s Good from “Straight No Filter.”
This jogged my memory, and I remembered the session was recorded sometime in 1963. Lo and behold, I discovered the 50th anniversary was right around the corner. March 7, 1963. Today! A perfect time to make The Feelin’s Good available. That Mobley recording session produced three more gems that are already on jazzleadsheets.com. Instead of releasing that session on one LP, Alfred Lion of Blue Note Records put these four selections on three different recordings. Check out the others for more historical information:
East Of The Village
Old World New Imports
Up A Step
Happy 50th Anniversary! Hank Mobley’s music: it’s always feelin’ good.
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Adding another great composer to jazzleadsheets.com: Freddie Redd – And Time Marches On
Pianist Freddie Redd is a marvelous composer we’ve known since 1985 when I produced two albums for him for Uptown Records. The second trio album, where Freddie played this title, with bassist George Duvivier and drummer Ben Riley, is still unissued. However, you can hear this great track as Freddie played it with his International Jazz Connection. Freddie’s music is a delight to play. Listen to this one; more is on the way.
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Joao – Tommy Turrentine
A beautiful slow samba first recorded by tenor saxophonist Stanley Turrentine, brother of Tommy. Take a look at the descriptive notes to learn about the brothers’ differing views on the song. Recorded on Stanley’s “Nightwings” album.
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Fred’s Delight – Tadd Dameron
We’ve also received some requests for more Tadd Dameron lead sheets. Plus, the long awaited Paul Combs book, The Life and Music of Tadd Dameron, has just been released. Paul Combs was instrumental in getting me a copy of Tadd’s big band score (in Tadd’s manuscript) for “Fred’s Delight,” and the big band arrangement (score and parts) is available from ejazzlines.com. Even without a big band, everyone should get a chance to play Dameron’s distinctive melody and harmonies and add it to their combo repertory.
Thanks for visiting jazzleadsheets.com!
Don Sickler (phone 212-741-1175, email firstname.lastname@example.org)