Big People – Roland Alexander
A driving medium swinger with an unusual form. Our recording features a two-horn arrangement with a lot of counterpoint. Minus You tracks are available for all instruments.
- Recording: Taru Alexander - Kojo Time
- Recorded on: September 21, 2014
- Label: jazzleadsheets.com (JLS 1020)
- Concert Key: G-flat, No key center
- Vocal Range: , to
- Style: Swing/Latin (medium up)
- Trumpet - Don Sickler
- Alto Sax - Elijah Shiffer
- Piano - Ben Rosenblum
- Bass - Marty Jaffe
- Drums - Taru Alexander
Video
- Description
- Historical Notes
- Solos
- Piano Corner
- Bass Corner
- Drum Corner
- Guitar Corner
- Inside & Beyond
- Minus You
This quintet arrangement has a lot of counterpoint between the two horns. The alto sax and trumpet trade off in two-measure sections of the melody on the A section, playing simple countermelodies when not on the melody. The trumpet takes the B section, with mostly fills in the alto, while the alto plays most of the C melody (and all of E); the trumpet part in these sections also fills in behind the longer melody notes. Because there is so much counterpoint, our rhythm section parts are two-staved condensed scores with the two horn parts; notable rhythm section figures are notated below the lower staff.
Check out other compositions from the "Kojo Time" album.
Drummer Taru Alexander started his association with trumpeter/producer Don Sickler when Taru was still in high school. He was part of a program started by Local 802 of the musicians' union called Young Sounds. Taru, along with pianist Bill Charlap, saxophonist Jon Gordon and others came to the Second Floor Music studio (now jazzleadsheets.com) for weekly rehearsals, supervised and encouraged by Don.
This song has two main moods or motives: the first is a heavy swing groove with some great figures for drummers to latch onto. The second is a heart-throbbing melody over an Afro-Cuban 6/8 feel, one of the most common Latin feels and an important one to have in your arsenal. The swing section is divided into two parts, the first being eight bars (letter A) the second being five bars (letter B), creating a fun irregular form to account for. Check out how drummer Taru Alexander, son of composer Roland, sets up the melody and often uses crashes to accent parts of the melody. The way he accompanies soloists is also highly energetic and interesting. Listen to the "bombs" he drops, especially at the top of the alto solo.
Taru Alexander plays a one-measure drum fill leading into the melody. Most of the Minus You tracks have a combined two-measure count off: spoken for one measure, then the drum set up for one measure. The Minus Drums track has the second measure of this count-off empty; drummers can experiment with different fills in the measure before the melody.
CLIP The form is quite straightforward:
-- melody
-- alto sax solo 1 chorus
-- bass solo 1 chorus
-- out melody
mp3 minus melody
-- count off and drums set up the melody
-- play the melody
-- solo 1 chorus
-- play the out melody
mp3 minus Piano
-- count off and drums set up the melody
-- comp and play figures for the melody
-- comp for the alto sax and bass solos (1 chorus each)
-- comp and play figures for the out melody
mp3 minus Bass
-- count off and drums set up the melody
-- walk and play figures for the melody
-- walk for the alto sax solo 1 chorus
-- solo 1 chorus
-- walk and play figures for the out melody
mp3 minus Drums
-- count off sets up the melody
-- comp and play figures for the melody
-- comp for the alto sax and bass solos (1 chorus each)
-- comp and play figures for the out melody
mp3 Bass & Drums only) - to feature piano, guitar, vibes, or any melodic instrument that likes to play without harmonic accompaniment
-- count off and drums set up the melody
-- play the melody
-- solo 1 chorus
-- play the out melody
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Roland Alexander
September 25, 1935 – June 14, 2006
Although he never received the credit he was due, the versatile tenor saxophonist Roland Alexander started his career with an unexpected break at age twenty when he made his recording debut—on piano. Born and raised in Boston, Massachusetts, Roland was trained both formally at Boston Conservatory and through day-to-day gig experience, so he was skilled enough to step in when the scheduled pianist (believed to be Red Garland) didn’t make a Paul Chambers session that Roland was observing on April 20, 1956. He was asked to sit in on piano for the blues Trane’s Strain, which was quite a break for the young musician, as the other players on the session were well-known names like John Coltrane, Curtis Fuller, Pepper Adams, and the rest of Miles Davis' current rhythm section, Paul Chambers on bass and Philly Joe Jones on drums. Read more...