Dancin' Like We Did Before – Johnny Griffin & Judy Niemack
A punchy blues with a lyric that describes a happening party, Dancin’ Like We Did Before is sure to wake up any set! Vocal lead sheet available in three keys. Exclusive MP3s available: full track and Minus You practice track without vocals (in the key of C).
All selected items will be available for download after purchase.
- Recording: Judy Niemack - The JazzLeadSheets Songbook
- Recorded on: October 5, 2007
- Label: jazzleadsheets.com (JLS 1004)
- Concert Key: C
- Vocal Range: Mezzo Soprano, F3 to B4
- Style: Swing (medium)
- Vocal - Judy Niemack
- Trumpets - Don Sickler
- Piano - Norman Simmons
- Bass - John Webber
- Drums - Victor Lewis
- Arranger - Don Sickler
The instrumental version,Sweet Sucker, is in the key of B-flat concert.
Lyric Description: Niemack's lyric invites you to a party that only a fool would miss—"Lay down your troubles and walk through the door"—"Come on by, we'll be dancin' like we did before."
No-vocal version: An accompaniment-only MP3 track of Judy's version is available (in the key of C concert, the same as the lead sheet). Don Sickler's arrangement added multiple trumpets around the melody, to enhance the impression of a swingin' party. There are five solo choruses (rhythm section) before the return of the melody. Judy's complete recorded version is also available here, exclusively.
If another key would be better for you, send the key you'd like to Don and we'll post the transposition on the website for purchase. If you're not sure which key is best, send us your range and we'll work with you to figure out the best key.
"In 2007 I developed a plan for the Griffin Songbook. Since Johnny Griffin lived in France, and only occasionally traveled to the US, and Judy lived in Germany, usually making it to the States twice a year, I thought that getting both of them in Rudy Van Gelder's New Jersey studio, simultaneously, would be impossible. Therefore, I planned to have Judy write lyrics and decide on the keys she wanted, while I put together a rhythm section of NYC-based musicians who had worked with Johnny. We would then record tracks at Van Gelder's on Judy's next trip, leaving space for Johnny to solo or add to the arrangement when he was next in New York.
"We got the first part done. Unfortunately, when Johnny made his trip to New York, there wasn't enough time in his schedule for him to record, so we had to postpone it for his next trip. As it turned out, Johnny would never make another trip to New York.
"For Dancin' Like We Did Before, the original concept was for Johnny to answer the lyric during the melody, solo for three choruses, then trade twos with Judy for two choruses before the out melody, when he would again improvise around Judy. After Johnny's death, I listened to the basic track (just Judy and the rhythm section), and decided on the multiple trumpets/swingin' party concept. Instead of a soloist trading with Judy during the exchanges, I elected to write some three-trumpet answers to her phrases."
See more titles with lyrics written and sung by Judy in "The JazzLeadSheets Songbook."
April 24, 1928 – July 25, 2008
A tenor saxophonist of amazing energy and invention, Griffin was influenced by such revered artists as Johnny Hodges, Charlie Parker and Ben Webster. He was first heard prominently in his youth with Lionel Hampton's orchestra from 1945-47, making his first recording with Hamp when he was only 17 years old. In 1947, Griffin joined Joe Morris's rhythm & blues group. Morris (trumpet) had also been a recording member of Hamp's bands since 1943. He left Hamp a little before Johnny did. By 1948 the Morris band had changed personnel to include Elmo Hope (piano), Percy Heath (bass) and Philly Joe Jones (drums) along with Matthew Gee on trombone. Read more...
born on March 11, 1954
Born in California, acclaimed jazz vocalist, lyricist and composer Judy Niemack studied classical singing, but the turning point in her studies occurred when she met the great tenor saxophonist Warne Marsh. “I became Warne’s first vocal student. He treated me like a horn player. He assigned me solos by Charlie Parker, Roy Eldridge and others to learn. I learned about improvising from him. He called it instant composition.” Judy studied classical singing at the New England Conservatory and the Cleveland Institute of Music. Moving to New York in 1977, she continued her studies with Marsh. She started teaching jazz voice and improvisation in the late 1970s. Read more...