Snakes! – Jack Walrath
An advanced composition, simultaneously precise and wide open for interpretation. A concert condensed score, first and second parts are available.
- Recording: Bill Moring - Spaces In Time
- Recorded on: October 22, 2007
- Label: Owl Studios (122)
- Concert Key: No key center
- Vocal Range: , to
- Style: Swing (slow)
- Trumpet - Jack Walrath
- Tenor Sax - Tim Armacost
- Electric Piano - Steve Allee
- Bass - Bill Moring
- Drums - Steve Johns
Video
- Description
- Historical Notes
- Solos
- Piano Corner
- Bass Corner
- Drum Corner
- Guitar Corner
- Inside & Beyond
- Minus You
Striking and unique, Snakes! is an advanced piece that is simultaneously precisely written and open-ended. Snakes! is well-named with its very slithery melodic and harmonic shapes. It is definitely a quintet piece; the two melody parts are essential for the extreme tension created by their tight harmonies. There is no obvious key center, and we show no meter as well: most of the head is played freely without a set tempo. In these free sections, the rhythm section improvises together around the melody phrases. These are contrasted with two sections at a slow tempo, in which the horns repeat rapidly winding lines in contrary motion over half-note open fifths in the rhythm section. The sections of the head are indicated with numbers rather than letters for easy cueing. Solos are entirely free, out of tempo; the out melody is only the last section of the head again to a final melody note.
There is some harmonic motion, but the rhythm section plays quite loosely. In the rubato parts of the head, "pedals" are indicated; however, neither the piano nor bass are holding these pedals down but rather improvising around the roots as a tonal center. The first and last sections of the head end with more obvious chords, but the coda returns to rhythm section improvisation under the last melody note.
For a piece like this, there is no substitute for listening to the recording as a reference to learn how these players, especially the rhythm section, handle such open-ended music.
There is some harmonic motion, but the rhythm section plays quite loosely. In the rubato parts of the head, "pedals" are indicated; however, neither the piano nor bass are holding these pedals down but rather improvising around the roots as a tonal center. The first and last sections of the head end with more obvious chords, but the coda returns to rhythm section improvisation under the last melody note.
For a piece like this, there is no substitute for listening to the recording as a reference to learn how these players, especially the rhythm section, handle such open-ended music.
Also in 2007, tenor saxophonist Tim Armacost recorded "Rhythm And Transformation," his fourth studio album as a leader, featuring pianist Bruce Barth. Pianist Steve Allee's next recording after the "Spaces In Time" session was his own album "Dragonfly" - check out his beautiful composition Morning Glory from this album.
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Jack Walrath
born on May 5, 1946
An American post-bop jazz trumpeter, composer, conductor, author, educator and musical arranger, Jack Walrath is best recognized for his work with Ray Charles, Gary Peacock, Charles Mingus and Glenn Ferris. Read more...
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