Las Palmas – Kenny Drew, Jr.

A charming, mellow bossa, Las Palmas is simpler than many other Kenny Drew, Jr. songs while still in his signature style. The melody in the two A sections is quite diatonic in E♭ major, going up and down mostly in thirds. The bridge goes to G major with a similar melodic structure, shifting to G minor at the 5th measure to resolve back to E♭. The C section starts like A, but the melody develops in a wider range, leading to a descending cycle that extends this section to 12 measures. As in several of Kenny's songs, the last resolution goes to a vamp alternating two chords, in this case D♭6 and B6 (written in our lead sheets as C♭6 to avoid switching from flats to sharps). This D section vamp ends on E6(♯11), which is held out for two measures in the head but only one on the solos for a more even phrase length.

There is an intro based on the same vamp, nine measures long with the two measures of E6(♯11) at the end. Our lead sheets show what Kenny plays on the intro, but the vamp at the end of the head is open to solo over.

Several grace notes that Kenny plays are shown in our lead sheets. The C treble clef lead sheet shows some tied-over grace notes in the A section that he uses to harmonize the melody notes a third below; these are regular grace notes in the other lead sheets. Our B♭ trumpet lead sheet is written in a low register; we feel that this song could be a great feature for trumpet, or particularly flugelhorn, in this warm and mellow range. Because of the wide overall range of the melody, this one and our E♭ and C bass clef lead sheets change octaves in a few places relative to the C treble lead sheet.