Images (Of Things To Come) – James Williams
A beautiful 3/4 song that combines a lyrical melody with colorful and unpredictable changes. James' Solo Piano Arrangement is available in an exclusive recording by Kenny Drew, Jr.
- Recording: James Williams - Images (Of Things To Come)
- Recorded on: June, 1980
- Label: Concord (CJ 140)
- Concert Key: E minor, No key center
- Vocal Range: , to
- Style: 3/4 swing (medium)
- Tenor Sax - Billy Pierce
- Piano - James Williams
- Bass - Charles Fambrough
- Drums - Carl Burnett
Video
- Description
- Historical Notes
- Solos
- Piano Corner
- Bass Corner
- Drum Corner
- Guitar Corner
- Inside & Beyond
- Minus You
There is a 16-measure intro that alternates between two modes of the same scale: B phrygian and C lydian. James plays chord voicings here, but the former mode is written in our lead sheet as B phrygian to avoid a complicated chord symbol. The basic voicing here from the bottom up is F♯, B, C, E—essentially Cmaj7♭5/B or Cmaj7(♯11)/B if a G is added.
Click on the next album cover for James' Solo Piano Arrangement, performed by Kenny Drew, Jr.
Related Songs
Email Send Images (Of Things To Come) to a friend
- Recording: Kenny Drew, Jr. - Kenny Drew, Jr. Plays Solo Piano Arrangements
- Recorded on: March 24, 2009
- Label: jazzleadsheets.com (JLS 1053)
- Concert Key: E minor, No key center
- Vocal Range: , to
- Style: 3/4 swing (medium)
- Piano - Kenny Drew, Jr.
Video
- Description
- Historical Notes
- Solos
- Piano Corner
- Bass Corner
- Drum Corner
- Guitar Corner
- Inside & Beyond
- Minus You
Pianist Kenny Drew, Jr., came up from his home in Florida to spend a few days at Rudy Van Gelder's recording studio. Don Sickler's idea was to ask Kenny to document piano arrangements written by Second Floor Music/jazzleadsheets.com composers. Genius that he was, Kenny was able to sightread the music; he recorded all arrangements in James' book Arrangements For Solo Piano along with many others.
Related Songs
Email Send Images (Of Things To Come) to a friend
James Williams
March 8, 1951 – July 20, 2004
James Williams' distinguished career began in the city in which he was raised: Memphis, Tennessee. Having taken up piano at the age of thirteen, he graduated from Memphis State University in the early seventies and threw himself into his city's jazz community. Only a year after attaining his degree, Williams was hired as a professor at Berklee College of Music in Boston, Massachusetts. Coming to a new city opened up an entirely new scene for the young pianist, who began to play as a sideman for visiting artists like Red Norvo, Art Farmer, Sonny Stitt and Milt Jackson. When Art Blakey met him in 1977, he convinced the then-26 year-old Williams to resign from Berklee and go on tour with the Jazz Messengers, a post he held for the next four years and with whom he would win a Grammy Award nomination for the album "Straight Ahead." Read more...