Proof Of The Pudding – Michael Cochrane
A catchy samba with an exciting form, starting in A minor and ending in A major. It was originally recorded on Michael Cochrane's first album as a leader.
- Recording: Michael Cochrane - Elements
- Recorded on: September 23 & 24, 1985
- Label: Soul Note (SN 1151)
- Concert Key: No key center
- Vocal Range: , to
- Style: Latin (Samba)
- Trumpet - Tom Harrell
- Tenor Sax - Bob Malach
- Piano - Michael Cochrane
- Bass - Dennis Irwin
- Drums - Jimmy Madison
Video
- Description
- Historical Notes
- Solos
- Piano Corner
- Bass Corner
- Drum Corner
- Guitar Corner
- Inside & Beyond
- Minus You
This song has it all—a catchy melody over a fun uptempo samba groove, with an exciting form and satisfying changes to blow on. Though it starts in A minor, the end of each chorus is in A major. The melody is lyrical and flowing at the beginning, but gradually becomes more intricate as the key center shifts.
Fifty measures in total, the form begins with two eight-measure A sections with a clear A minor tonality. B begins melodically similar to A, but with more involved changes; it's extended to 14 measures with a stepwise "walk up" in the last two. This leads to the eight-measure C section, which features a G pedal point. At D, four measures of descending dominant chords lead to an eight-measure vamp on A major. There are some unusual harmonic choices in this song that are sure to inspire creativity in any soloist. The first chord of the A section is Fmaj7(6)/A; a soloist can play over either the A minor or F major sound in this chord. The C section alternates Dm7 and A♭6—a tritone apart—over the G pedal.
There is an intro, which begins with solo piano setting up a rhythmic vamp for four measures. The piano continues for four more measures while the bass and drums give definition with tied-over double whole notes. The coda is particularly exciting, coming in after only three measures of the D section: a break for a two-measure extension of the melody phrase, ending with an upbeat Amaj7 chord hit.
Fifty measures in total, the form begins with two eight-measure A sections with a clear A minor tonality. B begins melodically similar to A, but with more involved changes; it's extended to 14 measures with a stepwise "walk up" in the last two. This leads to the eight-measure C section, which features a G pedal point. At D, four measures of descending dominant chords lead to an eight-measure vamp on A major. There are some unusual harmonic choices in this song that are sure to inspire creativity in any soloist. The first chord of the A section is Fmaj7(6)/A; a soloist can play over either the A minor or F major sound in this chord. The C section alternates Dm7 and A♭6—a tritone apart—over the G pedal.
There is an intro, which begins with solo piano setting up a rhythmic vamp for four measures. The piano continues for four more measures while the bass and drums give definition with tied-over double whole notes. The coda is particularly exciting, coming in after only three measures of the D section: a break for a two-measure extension of the melody phrase, ending with an upbeat Amaj7 chord hit.
For another samba from Michael Cochrane's debut album "Elements", check out Bright Samba (originally recorded with the title Bossa For Quintet).
Saxophonist Bob Malach recorded again with Michael Cochrane on two more of Michael's albums: "Quartet Music" in 2001 and "Pathways" in 2002. Earlier in 1985, Michael recorded with trumpeter Tom Harrell on guitarist Paul Nash's "Second Impression," also featuring drummer Jimmy Madison. Michael and Jimmy had played together on Jack Walrath's live album "In Europe" in 1982. Michael also recorded with bassist Dennis Irwin on trumpeter/drummer Barry Ries' debut album as a leader, "Solitude In The Crowd" in 1997.
Saxophonist Bob Malach recorded again with Michael Cochrane on two more of Michael's albums: "Quartet Music" in 2001 and "Pathways" in 2002. Earlier in 1985, Michael recorded with trumpeter Tom Harrell on guitarist Paul Nash's "Second Impression," also featuring drummer Jimmy Madison. Michael and Jimmy had played together on Jack Walrath's live album "In Europe" in 1982. Michael also recorded with bassist Dennis Irwin on trumpeter/drummer Barry Ries' debut album as a leader, "Solitude In The Crowd" in 1997.
Related Songs
Email Send Proof Of The Pudding to a friend
Send this page to a friend via email. Add your name or email in the first field. In the second, add one or more email addresses, separated by a comma.
Michael Cochrane
born on September 4, 1948
A forward-leaning yet strongly swinging modern pianist, Cochrane studied with the noted Boston-based piano teacher Madame Margaret Chaloff (mother of Serge Chaloff) and the inimitable Jaki Byard. In a fruitful career, he has performed and/or recorded with saxophonists Michael Brecker, Sonny Fortune, Oliver Lake, David Schnitter and Chico Freeman and trumpeters Clark Terry, Valery Ponomarev, Jack Walrath and Ted Curson; also bassist Eddie Gomez, as well as many others. Read more...
There was a problem.
...