The holidays are just around the corner, and it’s been getting snowy here in New York. We’re celebrating the season through great charts — check them out and join in our holiday revelry!
Kicking off our new additions is a swing/Latin hybrid by Elmo Hope - Abdullah. The minor melody is tuneful and memorable — it might just get stuck in your head. Since Elmo originally recorded this composition with his quintet, we have the original parts available to try out with your own quintet (alternate parts are also available). If you want to play it solo or try out your own arrangement, we offer a regular leadsheet as well. Either way, it’s a strong addition to any set.
On the slower side of Latin is Los Milagros Pequenos, a mysterious and alluring piece by Norman Simmons. The melody of this chart is slow and meditative; it floats over a repeating bass line that anchors the piece. Norman originally recorded this chart with his quintet, but also wrote a solo piano arrangement for it. The piano arrangement is a great choice for intermediate pianists looking to brush up on their Latin skills — it’s not simplified at all, but isn’t too tricky either. To go along with the piano arrangement, we have an exclusive audio track featuring Kenny Drew Jr. It’s a great example of how to play this beautiful composition.
If you’re looking for something with a bit more pep, look no further than Ray Bryant’s Bebop Irishman. This chart is as whimsical and fun as the name suggests — it has a jig-like pace with long bebop lines set over a simple folk-like chord progression. This is a good pick to feature the piano, since the long chromatic lines showcase pianistic dexterity. This is not to say that this piece is only for pianists. On a Buddy Rich recording, both flute and vibes are added to the melody, and George Shearing added guitar as well as vibes to the melody. We also have horn editions as well. For drummers, though, we have Evan Hughes’s transcription of Jo Jones’ playing. The transcription includes the drum introduction, time over the in head, trading fours with the piano, and the out chorus. The brushwork on this piece is so incredible that many drummers regard this recording as a sort of bible for brush playing. Now you don’t have to guess what Jo Jones was playing — you can try it all out yourself with this meticulously detailed transcription!
For singers, we’re releasing the vocal version of the Gigi Gryce jazz standard Social Call. Jon Hendricks’s clever lyric is the perfect foil for the unforgettable melody, making the vocal version a popular choice for decades of singers. Try this chart out for yourself and join the ranks of Ernestine Anderson, Betty Carter, Earl Coleman, Karrin Allyson, Diane Reeves and Cecile McLorin Salvant — all of whom have recorded this classic composition.
Finally, we have an exotic 7/4 blues from Julian Priester and Judy Niemack. Eros, Judy’s lyric version to Julian’s instrumental Blues for Eros, is a sexy musical retelling of the Greek myth of Eros and Psyche. Eros, the son of the goddess Aphrodite, seduced Psyche until she figured out his godly identity. He abandoned her, forcing Psyche to seek counsel from Aphrodite, who sent her on a difficult quest to win back her love. Judy draws out the theme of blind passion so strong it verges on desperation; this theme is amplified by the seductive melody by Julian and the driving odd-meter pulse of the bass.