Sonny Clark

• Nine new titles at jazzleadsheets.com

  Another week means one thing at jazzleadsheets.com: new music. This week, we're proud to introduce three important new composers: pianist Buddy Montgomery, alto saxophonist Jerry Dodgion and trumpeter Ryan Kisor. It's a massive update with nine new titles in all by a wide range of composers from Hank Mobley to Cecilia Coleman. Make sure to check out this week's videos -- this update has exclusives from jazzleadsheets.com that feature the composers themselves with rising young artists.

  Here are this week's new titles:

  HANK MOBLEY: Space Flight
  Classic early Mobley: burning fast rhythm changes. Full quintet arrangement available.

  SONNY CLARK: Dial S For Sonny
  12 bars of hard bop with a stop time head.

  BUDDY MONTOMGERY: Here Again
  A hard bop swinger.

  RYAN KISOR: Horror Show
  A challenging workout for any instrument.

  HAROLD LAND: Reflections
  Simple melody, challenging form. First, second and bass parts available.

  HAROLD LAND: As You Like It
  A twist on rhythm changes. First and second parts available.

  CECILIA COLEMAN: So You Say
  A modern take on "You Stepped Out Of A Dream." Lead sheets and piano-bass duo available.

  DONALD BROWN: Havana Days
  Modal, modern uptempo Latin. Solo piano arrangement available.

  JERRY DODGION: Holunderkuchen
  A minor blues that switches between 3/4 and 4/4.

  Looking for something more visual? Browse the album covers in the gallery on the Albums page! To get there, click "FEATURES" in the top navigation bar, then "Albums" in the drop-down menu.

• New! EASY PIANO for beginning jazz lovers!

  If you love jazz piano, but aren’t quite at the level of our solo transcriptions, we’re releasing arrangements of our classics to accommodate pianists of all ages and abilities! These arrangements aren’t watered-down—they stay true to the original melody and harmonies—but aren’t overly intimidating, either. They make a great introduction for new students, classical pianists, or even someone looking to just have fun playing music.

  Three arrangements by site founder/trumpeter/arranger Don Sickler
  FOCUS by James Williams

  SOCIAL CALL by Gigi Gryce

  UH HUH by Hank Mobley

  One arrangement by vocalist/pianist/composer Pamela Baskin-Watson
  JOY RIDE by Bobby Timmons

  Two arrangements by pianist/composer Cecilia Coleman
  PECKIN’ TIME by Hank Mobley

  BOOTIN’ IT by Sonny Clark

  And some play-along tutorials featuring BOOTIN’ IT on our YouTube channel:
  BOOTIN' IT slowed down to practice
  

  BOOTIN' IT at full speed
  

  Check out our PIANO CORNER where all the above plus more can be found under EASY PIANO ARRANGEMENTS.

• We'd never trick you: here are some new treats from your favorite composers

  We’re back this week to add to our collection of “incredible music” (a customer’s phrase!) with some great instrumental and vocal lead sheets.

  To kick off this week, a hard bob title from Sonny Clark: SONNY’S CRIB. The bluesy head is the perfect foundation for incredible solos (check out Coltrane’s blowing on the recording featured here!) and its clean simplicity is undeniably appealing.

  If you’d like something a bit more exotic, check out Bob Brookmeyer’s BLUE CHINA, a fun send-up of Chinese-style music. A cultural collision comes forth in the B section, when the Chinese-style melodies of the piano and horns break into full American swing. It’s an unexpected twist that really makes this piece pop! The extraordinary communication between flugelhornist Clark Terry and trombonist Bob Brookmeyer is natural, seemingly effortless and totally delightful.

  Rounding out our instrumental selections is a Freddie Redd composition, WALTZIN’ IN. This bouncy waltz recalls a couple gliding across a ballroom floor, but the driving rhythmic pulse keeps the piece edgy and modern.

  For vocalists, we have three different takes on that classic theme, love. Meredith d’Ambrosio’s MELODIOUS FUNK reflects on love lost, lamenting the end of a relationship and the lonely feelings that just won’t go away. The sultry, laid-back swing vibe keeps it from getting too dark, though, and the blues-inflected melody is supremely catchy.

  If you’re feeling romantic, look no further than WITHOUT YOU, Shelley Brown’s lyric version of Renee Rosnes’s Malaga Moon. This meditative ballad has a haunting, ethereal melody that draws the listener in. The poetic lyric compares a lover to the stars and moon—without him, there is only the darkness of night. Both words and music are nothing short of beautiful! Accompaniment-only audio available.

  Our final vocal selection is another ballad—the wistful, dreamy IN THE GLOW OF THE MOON, with music by Dena DeRose and lyric by Meredith d’Ambrosio. This waltz has a strong rhythmic pulse that makes it work best at a medium tempo, so it’s a great choice for singers looking for a ballad that isn’t too slow. It also showcases a variety of different ranges and techniques of the singer’s voice as it travels to distant keys and back again. Both composer and lyricist have recorded this song, so we offer transcriptions of both their renditions—it’s a great comparison tool as you can study how to make a gorgeous song like this your own while still staying true to the already-lovely melody.

• New titles January 6, 2011

  For our first composition by tenor saxophonist Johnny Griffin, we’re bringing you Sweet Sucker, which he wrote for himself and trombonist Bennie Green to play on Bennie’s “Glidin’ Along” recording for Jazzland in 1961. Vocalist and lyricist Judy Niemack loved the instrumental, and wrote and recorded a lyric version which we’re also making available (Dancin’ Like We Did Before), as well as an accompaniment-only mp3 of that track.
  Sweet Sucker - Johnny Griffin
  Dancin’ Like We Did Before - Johnny Griffin & Judy Niemack

  News For Lulu - Sonny Clark
  This is from Sonny Clark’s sextet recording “Sonny’s Crib” which featured the front line of Donald Byrd (trumpet), John Coltrane (tenor sax) and Curtis Fuller (trombone). The horns break into harmony in only a few places, so our lead sheet editions show just the melody, except for C treble clef. As usual, all the parts are indicated in the C treble clef lead sheet. If you would like to play this as originally recorded with your own sextet, the original Tenor Sax (2nd part) and Trombone (3rd part) are also available as well as the original detailed Bass part.

  Mox-Nix - Art Farmer [2 Art Farmer solos only]
  November Afternoon - Tom McIntosh [Art Farmer solo only]
  We want to present three more wonderful Art Farmer solos. The first solo on Mox-Nix is from a quintet recording, and is the earliest of the three solos. The next Mox-Nix solo and Art’s November Afternoon solo come from two different incarnations of The Jazztet. Most Jazztet arrangements are quite involved, and therefore not suitable to be represented by a lead sheet. They really require a full score and individual parts. Thanks to our new relationship with ejazzlines.com, these two Jazztet arrangements are available there, and we have Art’s solos here, at jazzleadsheets.com.

  The Jazztet arrived on the scene with their first album (“Meet The Jazztet”), recorded in February, 1960. This Art Farmer-Benny Golson sextet also featured Curtis Fuller on trombone, who told me that he actually gave the group its name. The rhythm section also featured a newcomer, pianist McCoy Tyner (on his second recording date). The composer and arranger of November Afternoon was also The Jazztet’s trombonist when “The Jazztet At Birdhouse” (Argo LP 688) was recorded, with Cedar Walton on piano.

  Try to celebrate the New Year with music. Jazz music.
  Don Sickler

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