Jon Burr

• Be jolly: Deck your music stands with new lead sheets.

  'Tis the season of giving, so we're keeping these holidays merry and bright with a new collection of lead sheets.

  HANK MOBLEY: Night Watch
  That’s right — we’ve got more of this classic composer and we can’t wait to share it! Hank Mobley’s winning melodic style — singable, simple lines — is on display here in this Latin/swing hybrid.

  NORMAN SIMMONS: Slumberettes
  Don’t sleep on this jazzy lullaby. This sweet, lilting waltz by composer/pianist Norman Simmons is sensitive and graceful. Pianists, be sure to check out our solo piano arrangements: one by Norman himself and an easy piano arrangement by Don Sickler. Both were recorded exclusively for jazzleadsheets.com by maestro Kenny Drew, Jr. Concert condensed score and second parts available.

  BILL BARRON: Minor Mode
  Don’t confuse this piece with the Booker Little composition of the same name! This energetic medium swing makes a great introduction to the underrated (but always impressive) hard bop composer Bill Barron. Second and third parts available.

  JON BURR: Rainbow Over Harlem
  Jon Burr’s charming medium swing has a memorable and dreamy melody — and it’s available in editions both for instrumentalists and singers! Vocalists will love stretching their ears with this piece that we’ve made available in both female- and male-friendly keys. And everyone will enjoy the laid-back feel that supports the alluring melody.

  ROB BARGAD: Tears
  A sultry, slow Latin piece that mixes a modern jazz melody with a smoldering cha-cha/bolero groove. Rob Bargad flaunts his compositional prowess on this chart. If you’re not hip to this current composer yet, now’s the time to start!

  Share the joy with us at jazzleadsheets.com!

• jazzleadsheets in early October

  It’s a big update from us this week — eight new charts with exciting options for singers and instrumentalists alike! With so much to choose from, there’s no way you won’t be able to find something that catches your interest.

  We have three new compositions by former Jazz Messengers, starring with composer/pianist Donald Brown’s stunning ballad Dorothy, dedicated to his wife. Not only is it a romantic, complex ballad in and of itself, but we also offer transcriptions of Donald’s comping behind the melody and his solo for pianists who want to learn more about his signature style. Studying Donald’s artistic harmonic voicings in his comping and the way he gives meaning and purpose to each note in his solo is a great exercise for pianists to improve their own skills.

  We’re introducing another new composer, saxophonist Bill Pierce, with his Chuck’s Groove. Like many of Bill’s compositions, this piece features a memorable, tuneful melody and sets it over an unusual chord progression. It’s a great choice for musicians of any instrument or skill level!

  We were so excited about Hank Mobley’s The Turnaround (quintet parts) that we had to make it available for both musicians and singers. It’s a funky, bluesy and fun piece that is easy to master for beginners but really soars when played by masters like Hank and Freddie Hubbard (who are featured on the instrumental recording). Chris Caswell’s playful lyric version, I Found The Turnaround, is expertly recorded by Karrin Allyson. Take a listen and try it out yourself with our vocal lead sheet; the small range of the melody makes it perfect for most voice types.

  Take a trip to South America with Jon Burr’s Sea Breeze. This laid-back, soothing bossa nova features a lyric by the composer himself that reflects the simple joy of relaxing by the sea. We offer this lead sheet in two keys — one for altos and one for sopranos. Full track and accompaniment-only audio available.

  Rachel Gould’s No More Fire (Over You) is another bossa nova with a bit more of an edge. The lyric describes getting over a lover and finally being able to move on. In addition to the vocal lead sheet, we also offer a transcription of Rachel’s recording so singers can learn from her expert phrasing.

  Singers looking to add more waltzes to their repertoire should look no further than Like A Butterfly, Judy Niemack’s lyric version to Ronnie Mathews’s Jean-Marie. This delicate, breezy waltz is a good choice for sopranos since it features the upper register of a vocalist’s range. Full track and accompaniment-only audio available.

  Rounding out our vocal selections is Swinging My Life Away, a vocal version of Ray Bryant’s Tonk with a lyric by Tina May. It’s a fun, upbeat song that celebrates jazz, swing, and being yourself — a message we couldn’t agree with more! Full track and accompaniment-only audio available.

  A tip: if you’re printing from Adobe Acrobat, make sure you specify “none” for print scaling in the dialog. We’ve already made sure the margins are correct. If you let Acrobat print automatically, it might reduce the music a bit.

• Birthday and anniversary megapost: 10 new products!

  This week (more precisely May 20 through May 24) has important anniversaries we want to honor so we’ve expanded our usual five new entries this week to cover ten celebrations.

  May 20 is the birthday of drummer/composer Victor Lewis (born in 1950 in Omaha, Nebraska). In honor of Victor’s birthday, here’s his great composition Seventh Avenue . For the drummers among you, in our Drum Corner, you can take a special look at some 7/4 “groove” patterns that Victor used on two different recordings.

  When we showed Victor what recordings of jazzleadsheets.com music took place on his birthday over the years, he was blown away. What great birthday presents master drummers gave him, unknowingly, by recording their music on his birthday. Were they omens or just subliminal influences, for a young man who has certainly become one of the great modern drummers?

  Here are Victor’s “birthday presents” that we want to share with you.

  Ittapnna by drummer Walter Bolden, a new composer to jazzleadsheets: on Victor’s third birthday: May 20, 1953, Walter recorded this on “Howard McGhee, Vol. 2” (Blue Note).

  On Victor’s fourth birthday, drummer Art Blakey recorded his Mercury album “Blakey,” (May 20, 1954) featuring these three Gigi Gryce compositions: Minority and Salute To Birdland by Gigi Gryce. The lead sheets have been available for some time but now you can explore Gigi Gryce (alto sax) and Joe Gordon (trumpet) solos for both titles. Plus a new title from that session, Hello, a beautiful ballad.

  For Victor’s tenth birthday, May 20, 1960, drummer Philly Joe Jones recorded his album “Philly Joe’s Beat” (Atlantic). Lead sheets for Joe’s Got To Take Another Chance have been available, but now you can check out Philly Joe’s drum transcription.

  Another drum master, Louis Hayes, recorded his album “The Real Thing,” on Victor’s 27th birthday, May 20, 1977. This session included Ronnie Mathews’ tour-de-force composition Loose Suite (lead sheet editions plus Ronnie’s solo piano arrangement edition).

  I couldn’t stop there, because on May 21, Cleo’s Blues (written and performed by tenor giant Paul Gonsalves) celebrates its 50th recording anniversary.

  And on May 22 bassist/composer Jon Burr celebrates a big one, his 60th birthday, joining jazzleadsheets.com. He has a perfect composition for our upcoming Bass Corner: Smokin’ O.P.’s.

  And finally, also on May 22 (or maybe it was May 24, the recording info on the liner notes doesn’t specify) pianist James Williams recorded his composition Mr. Day’s Dream (lead sheet editions and James’ Solo Piano Arrangement plus recording by Kenny Drew, Jr.).

  Celebrate!
  Don Sickler
  www.jazzleadsheets.com and www.SecondFloorMusic.com
  phone 212-741-1175 email don@secondfloormusic.com

3 Items