Jon Hendricks

  • 57 years of music in one week

    The dog days of summer are here. We're marking the start of August with a release that features our classic repertoire and highlights some of our special projects. This week's releases concentrates on important recording anniversaries. Classic recordings like Clifford Brown's Daahoud and Joy Spring (now available in F in addition to the E-flat version added earlier this summer) with details to these classics that are frequently overlooked. We've also added a new vocal selection: Jon Hendricks's lyric to Moanin' by Bobby Timmons. Three more of our composers recorded four years ago this week in what we call our "Duos with Daryl" in a project with the extremely talented young bassist, Daryl Johns, who had just turned 15 years old at the time. We're releasing three pieces, two of which have only been recorded as part of this project, to commemorate the anniversary: Red Sky Waltz (Don Friedman),  Silk (Norman Simmons), and Blues Scam (Richard Wyands). To celebrate their birthdays this week, we are also adding A Laugh For Rory (Rahsaan Roland Kirk) and Smoke Signal (John Webber). This release celebrates music recorded from 1954 to 2011 -- a diverse and exciting selection:

    CLIFFORD BROWN: Daahoud How well do you know Daahoud? Try it exactly how the quintet played it. Two Clifford Brown trumpet solos available.

    CLIFFORD BROWN: Joy Spring Think you know Joy Spring? Think again! New lead sheets in F available. Clifford Brown trumpet solo transcriptions available: master and alt takes from the quintet version (B-flat and C editions); septet version (B-flat and C editions).

    BOBBY TIMMONS & JON HENDRICKS: Moanin' A gospel-inspired lyric on a soul-jazz classic.

    RICHARD WYANDS: Blues Scam Angular hard-bop blues with a bridge. Piano-bass duo score available. This piece has never been recorded before. From the Duos With Daryl series; a jazzleadsheets.com audio exclusive.

    NORMAN SIMMONS: Silk Smooth rhythm changes. Piano-bass duo score available. This piece has also never been recorded before. From the Duos With Daryl series; a jazzleadsheets.com audio exclusive.

    DON FRIEDMAN: Red Sky Waltz Flowing & lovely with changing meter. Piano-bass duo score available. From the Duos With Daryl series; a jazzleadsheets.com audio exclusive.

    RAHSAAN ROLAND KIRK: A Laugh For Rory Simple & modal, in two-part harmony. First and second parts available.

    JOHN WEBBER: Smoke Signal A modern head with many rhythm section hits in the head.

  • The holidays are here at jazzleadsheets.com

    The holidays are just around the corner, and it’s been getting snowy here in New York. We’re celebrating the season through great charts — check them out and join in our holiday revelry!

    Kicking off our new additions is a swing/Latin hybrid by Elmo Hope - Abdullah. The minor melody is tuneful and memorable — it might just get stuck in your head. Since Elmo originally recorded this composition with his quintet, we have the original parts available to try out with your own quintet (alternate parts are also available). If you want to play it solo or try out your own arrangement, we offer a regular leadsheet as well. Either way, it’s a strong addition to any set.

    On the slower side of Latin is Los Milagros Pequenos, a mysterious and alluring piece by Norman Simmons. The melody of this chart is slow and meditative; it floats over a repeating bass line that anchors the piece. Norman originally recorded this chart with his quintet, but also wrote a solo piano arrangement for it. The piano arrangement is a great choice for intermediate pianists looking to brush up on their Latin skills — it’s not simplified at all, but isn’t too tricky either. To go along with the piano arrangement, we have an exclusive audio track featuring Kenny Drew Jr. It’s a great example of how to play this beautiful composition.

    If you’re looking for something with a bit more pep, look no further than Ray Bryant’s Bebop Irishman. This chart is as whimsical and fun as the name suggests — it has a jig-like pace with long bebop lines set over a simple folk-like chord progression. This is a good pick to feature the piano, since the long chromatic lines showcase pianistic dexterity. This is not to say that this piece is only for pianists. On a Buddy Rich recording, both flute and vibes are added to the melody, and George Shearing added guitar as well as vibes to the melody. We also have horn editions as well. For drummers, though, we have Evan Hughes’s transcription of Jo Jones’ playing. The transcription includes the drum introduction, time over the in head, trading fours with the piano, and the out chorus. The brushwork on this piece is so incredible that many drummers regard this recording as a sort of bible for brush playing. Now you don’t have to guess what Jo Jones was playing — you can try it all out yourself with this meticulously detailed transcription!

    For singers, we’re releasing the vocal version of the Gigi Gryce jazz standard Social Call. Jon Hendricks’s clever lyric is the perfect foil for the unforgettable melody, making the vocal version a popular choice for decades of singers. Try this chart out for yourself and join the ranks of Ernestine Anderson, Betty Carter, Earl Coleman, Karrin Allyson, Diane Reeves and Cecile McLorin Salvant — all of whom have recorded this classic composition.

    Finally, we have an exotic 7/4 blues from Julian Priester and Judy Niemack. Eros, Judy’s lyric version to Julian’s instrumental Blues for Eros, is a sexy musical retelling of the Greek myth of Eros and Psyche.  Eros, the son of the goddess Aphrodite, seduced Psyche until she figured out his godly identity. He abandoned her, forcing Psyche to seek counsel from Aphrodite, who sent her on a difficult quest to win back her love. Judy draws out the theme of blind passion so strong it verges on desperation; this theme is amplified by the seductive melody by Julian and the driving odd-meter pulse of the bass.

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