Grant Stewart

  • Celebrate these birthdays & anniversaries

    The temperatures are rising in New York and we're ready for a summer full of hot music. This week, we're wishing happy birthday to Eli "Lucky" Thompson, who would have turned 91 on this Tuesday, June 16, and Billy Drummond, who turns 55 on Thursday, June 19. We're also celebrating some anniversaries of a few recording sessions we love that feature compositions from our catalog: Grant Stewart's "More Urban Tones" (June 15, 1995), Hank Mobley's "Dippin'" (June 18, 1955), Benny Golson's "Gone With Golson" (June 20, 1959), and Nat Adderley's "Good Company" (June 20 & 21, 1994). There's no better way to celebrate than releasing some new lead sheets, transcriptions, and arrangements!

    Check out these new additions to jazzleadsheets.com:

    ELI "LUCKY" THOMPSONTo A Mornin' Sunrise master this sensitive ballad with lucky's own melody transcription

    GRANT STEWARTManhattan Bridge a moody post-bop ballad

    CURTIS FULLERBit Of Heaven a bit of your own jazz heaven -- try the Fuller-Golson two horn arrangement for yourself

    RAY BRYANT:  Staccato Swing a minor medium up swing with parts for tenor, trombone, & piano

    ROB BARGAD: Rob's New Song distinctive soulful flair & powerful changes

    ROB BARGADWar Zone a driving uptempo swing

    HANK MOBLEYThe Break Through NEW for drums - Billy Higgins drum transcription

    Psst! Did you know you can see all of our transcribed solos in one place? Check out this tour of the Transcribed Solos page!

    Enjoy the music, Don Sickler and the jazzleadsheets.com team

  • Add some fall spice to your repertoire with these charts.

    Hey jazz lovers,

    Have you missed us? We know it’s been a while! We’ve been hard at work putting together the beautiful new website. Soon, it will be easier than ever to find the music you love and to discover new gems you never knew you were missing.

    Until then, we’ve got some great compositions by some fantastic composers to tide you over until the new site goes live.

    LUCKY THOMPSON: Little Tenderfoot Looking for that perfectly classic sound? After an A section melody over rhythm changes, this charming, cheerful head takes some harmonic detours. The familiar changes make it a breeze to solo over and Lucky Thompson’s impeccable melodic writing is not only lovely to hear, but great fun to play.

    ROY HARGROVE: Ballad For The Children From the Grammy award-winning album HABANA, this Latin ballad is deeply emotional. Try the lead sheet on its own or get the full transcription of everything this jazz superstar plays — both the melody and the solo! Learn ballad phrasing from Roy Hargrove himself by studying exactly what he does.

    STEVE NELSON: Kirk’s New Delight' Go on a musical journey with Steve Nelson. Kirk’s New Delight is a laid back swing with a melody that tells a story through its developing melodic themes. A little extra flair comes from Steve’s embellishments on the melody, which we’ve included on all editions of the lead sheets.

    GRANT STEWART: Cyclops Angular and unflinching, Cyclops is equal parts bebop and modern jazz. Grant Stewart peppers the melody with #11ths and major sevenths that delight the ear. The harmonic progression is easy to pick up, which makes this a great choice to work on soloing over chord extensions.

    VALERY PONOMAREV: Fifteenth Round Don’t miss this explosive powerhouse! Your audience will be rapt with toe-tapping attention after the first line of this hard-bop infused quintet. We’ve made the second parts available as well as a concert condensed score for rhythm section players.

    Don’t settle for standards. Try something new at jazzleadsheets.com.

  • Hot this summer: new composers and big changes

    We’re gearing up for some exciting new changes. In late summer/early fall 2014, you’ll be seeing an entirely new look for jazzleadsheets.com, with completely new, intuitive browsing features; a modern, responsive design; and best of all, mobile capabilities — so you can find the music you love no matter where you are! Don’t worry about your account information: it will be migrated over to the new website. We can’t wait to see you over there!

    In order to maintain the quality of service you’ve come to expect from us, we’ll be raising our prices with the launch of the new website. We’ve always tried to keep our prices low so as many musicians as possible can enjoy playing our music. But as we keep expanding, we’ve outgrown our current website and need the resources to continue growing and developing this wonderful music. The increase in prices will also support our composers and allow us to start initiatives to promote and produce jazz in new ways while still maintaining accurate, clear, and beautiful lead sheets at a price everyone can enjoy. This fall, keep an eye out for new practice tools, exclusive audio releases, and a rhythm section workshop. With all these great resources and ways to share them, there’s never been a better time to be a jazzleadsheets.com supporter.

    What’s hot this summer?

    The temperature has been blazing at our office and the music has been just as steamy. We've got three new composers joining our roster, adding to our growing list of contemporary jazz artists with exciting modern music. Of course, it wouldn’t be a true jazzleadsheets.com update without a nod to our classic composers, so start off your summer sets with a pick from the venerable J.J. Johnson: Commutation.

    Wayne Escoffery The newly appointed winner of Downbeat’s Critic’s Poll for Rising Star Tenor Saxophonist joins us with a unique and enrapturing composition. Tell Me Why is sure to renew your set list with its elaborate layers that combine to create a beautiful, sweeping exploration.

    Grant Stewart Hot enough for you? Maybe it’s time to sip on a bit of this Scotch Thing, a supremely cool, relaxed, slow swing. Our editions include lead sheets from two recordings so you can see how the composition adapts to different arrangements. Why not try them both and compare?

    David Hazeltine Our last update welcomed two members of the hard-bop collective One For All, Eric Alexander and Jim Rotondi. Now their accomplished pianist joins us with two exciting compositions. Intended to be played in unison, both One For Peter and Pete’s Sake will challenge your combo to coordinate and work together on quick, bop-influenced lines. Get ready for a wild ride!

    Focus On Bass

    Are you a bass player, or do you know one who’s looking to get some shedding? Our two David Hazeltine pieces were inspired by the great Peter Washington and both feature full transcriptions of everything he plays on the tracks. Any bass lover should be sure to check out One For Peter and Pete’s Sake! Not enough bass for you? Scotch Thing has a bass solo transcription of Peter Washington as well!

    Keep playing the music!

    photo credit: ataferner via photopin cc

3 Items

  1. 1