Eric Alexander

  • Transcriptions, vocals, and much more

    This diverse update has a bit of something for everyone. If you've been waiting for new vocal music, this is your week! We're excited to add new pieces by Sergio Mihanovich and Ruby Braff for voice this week. Instrumentalists can enjoy these pieces as well, of course -- as well as the other six new additions this week. With a solo transcription of Art Farmer, David Hazeltine's own solo piano arrangement, and new original quintet arrangements, these new titles have it all.

    SERGIO MIHANOVICHSometime Ago A wistful classic for singers and instrumentalists. Art Farmer's solo transcription available, as is a vocal lead sheet.

    AL COHNSomething For Lisa Medium swing in a cool jazz style. Chet Baker's quintet arrangement available.

    GIGI GRYCEExhibit A A rhythm changes head with a twist on the bridge. Try Gigi's own arrangement.

    DAVID HAZELTINEAnn's Mood Tonal and beautiful with a cyclical form.

    DAVID HAZELTINEPentimento Charming post-bop bossa. Solo piano arrangement available.

    RUBY BRAFFWe're All Through A sultry medium swing with a lyric describing a relationship's end. Vocal lead sheet available.

    ERIC ALEXANDERLittle Lucas A modal composition with great flexibility.

    IDREES SULIEMANTell Me What's Your Name  A thoughtful, tender ballad.

  • Spring is in full swing at jazzleadsheets.com

    Several years ago, Second Floor Music started putting out sextet arrangements that were recorded by the exciting group “One For All.” Two of the prominent writers in that group are Eric Alexander and Jim Rotondi who started recording together in 1996, a year before “One For All” officially recorded its first album. Eric and Jim have enjoyed writing compositions together over the years, and Biru Kirusai is one of at least seven of these collaborations.

    Quiet Fire is the second Donald Brown composition that we’re making available on jazzleadsheets.com. If you’re not familiar with this marvelous composer, this is a good place to start. Neither the melody or the solo chord progression is difficult. The first eight-measure phrase of the melody sets you up for adding eight measures of “colors” before resuming with twelve more measures of melody leading into a different “colors” section. It’s an added treat to hear the “colors” of Donald’s piano and the vibes of Steve Nelson on this recording.

    Steve Nelson is also another one of our marvelous composers, and Song For Justine is a constantly evolving melodic tour de force as it develops over its eighty-measure form.

    For those of you who only know the great bluesy and funky sides of Gene Ammons, we want to Sock you with one of his more swinging boppish heads.

    Lonnie Hillyer was one of our great trumpet players, and a good composer who unfortunately didn’t get to record his own compositions. Lonnie got to play Soft Shoulder on some gigs as a member of Charlie Rouse’s quintet, but unfortunately that group never got to record. I think everyone is going to enjoy playing it. I certainly know I have.

    Jazz lives if we play it!

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