ejazzlines

  • New titles January 6, 2011

    For our first composition by tenor saxophonist Johnny Griffin, we’re bringing you Sweet Sucker, which he wrote for himself and trombonist Bennie Green to play on Bennie’s “Glidin’ Along” recording for Jazzland in 1961. Vocalist and lyricist Judy Niemack loved the instrumental, and wrote and recorded a lyric version which we’re also making available (Dancin’ Like We Did Before), as well as an accompaniment-only mp3 of that track. Sweet Sucker - Johnny Griffin Dancin’ Like We Did Before - Johnny Griffin & Judy Niemack

    News For Lulu - Sonny Clark This is from Sonny Clark’s sextet recording “Sonny’s Crib” which featured the front line of Donald Byrd (trumpet), John Coltrane (tenor sax) and Curtis Fuller (trombone). The horns break into harmony in only a few places, so our lead sheet editions show just the melody, except for C treble clef. As usual, all the parts are indicated in the C treble clef lead sheet. If you would like to play this as originally recorded with your own sextet, the original Tenor Sax (2nd part) and Trombone (3rd part) are also available as well as the original detailed Bass part.

    Mox-Nix - Art Farmer [2 Art Farmer solos only] November Afternoon - Tom McIntosh [Art Farmer solo only] We want to present three more wonderful Art Farmer solos. The first solo on Mox-Nix is from a quintet recording, and is the earliest of the three solos. The next Mox-Nix solo and Art’s November Afternoon solo come from two different incarnations of The Jazztet. Most Jazztet arrangements are quite involved, and therefore not suitable to be represented by a lead sheet. They really require a full score and individual parts. Thanks to our new relationship with ejazzlines.com, these two Jazztet arrangements are available there, and we have Art’s solos here, at jazzleadsheets.com.

    The Jazztet arrived on the scene with their first album (“Meet The Jazztet”), recorded in February, 1960. This Art Farmer-Benny Golson sextet also featured Curtis Fuller on trombone, who told me that he actually gave the group its name. The rhythm section also featured a newcomer, pianist McCoy Tyner (on his second recording date). The composer and arranger of November Afternoon was also The Jazztet’s trombonist when “The Jazztet At Birdhouse” (Argo LP 688) was recorded, with Cedar Walton on piano.

    Try to celebrate the New Year with music. Jazz music. Don Sickler

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