Clubhouse (Dexter Gordon)
This is another Dexter Gordon gem, featuring horns and drums in the melody. Read about my personal experience with legendary drummer Billy Higgins, who was on the original recording, in the notes. Dexter’s transcribed tenor sax solo is also available in both B-flat and C concert editions. My transcriptions document the creative “fingerprints” of the artist: the notes he plays as well as the articulations, which account for so much of Dexter’s magic as a soloist.
Cup Bearers (Tom McIntosh)
This is an important and classic jazz composition by master composer/arranger/trombonist Tom McIntosh. It’s one of those compositions with great “changes” that can lead you into new ways of thinking and playing.
Our lead sheet comes from the first recording in 1962 by James Moody. Soon after, in the same year, trumpeter Blue Mitchell recorded his version, and in the following year Dizzy Gillespie recorded it. “Cup Bearers” became a required composition on the hip jazz scene. This year, 2012, is the 50th anniversary of the first recording, and it’s still hip!
A couple of years ago, when I brought it to the attention of Jon Irabagon, the winner of the last Thelonious Monk Saxophone Competition, he was quick to record it.
Crazy (Elmo Hope)
One more challenge from Elmo Hope! I’m thrilled to be able to bring more and more of Elmo’s great music to jazzleadsheets.com. This one will challenge anyone, but it’s well worth the musical effort.
Take a listen to Bertha Hope, Elmo’s widow, as she talks about Elmo with saxophonist/composer Jerry Dodgion and bassist/composer Putter Smith:
Outa Sight (Jack Wilson)
A great example of “It doesn’t have to be hard to be good.” I’m always looking for material recorded by jazz artists that can also be recommended to inexperienced performers. This is a good one: simple, not a rangy melody, not a lot of solo changes to deal with. The solo section has some rhythm section hits that will help you add variety to your own solo.