Curtis Fuller

  • New Hank Mobley and more . . .

    A new one from saxophonist Hank Mobley: UP OVER AND OUT, a 16-measure blues with Mobley's signature swing and groove. Guitarist George Benson and the rhythm section establish an infectious vamp figure that the horn melody further elevates before swinging out the last eight measures of the head. A great energy opener or closer!

    Pianist Elmo Hope's NIETA has an unusual 32-measure form (eight bars of the same chord progression repeated three times under the melody). Elmo sets off the melody with a Latin intro and adds a tutti rhythmical interlude at the end of the melody to set up each soloist. First and second parts are available, plus a Concert Condensed Score for the rhythm section.

    Trombonist Curtis Fuller's ability to write music that sounds (and is) simply fun to play is demonstrated in his SYMPTOMS. Recorded by Curtis and tenor saxophonist Benny Golson, second parts are available for all instruments as well as a Concert Condensed Score for the rhythm section.

    Pianist Milton Sealey, new to jazzleadsheets.com, is represented by his BLACK DIAMOND, a lilting, delightful 3/4 romp recorded first by multi-instrumentalist Rahsaan Roland Kirk. An Easy Solo Piano Arrangement by Don Sickler is available, plus lead sheets.

    Now for additions to our Singers' Corner: Transformed into a dark, haunting tale, Sealey's Black Diamond became THE DRAGONFLY AND THE PEARL with lyric added by vocalist Roberta Gambarini and lyricist Bebe Herring.

    ICE WHITE BLUES, by Judy Niemack and Jeanfrançois Prins, shows one side of breaking up that feels like two: ice and fire. A blues with a bridge, the melody is notated as Judy performed it. Exclusive complete track and minus-you audio available, plus a video of the composers performing it together.

  • Celebrate these birthdays & anniversaries

    The temperatures are rising in New York and we're ready for a summer full of hot music. This week, we're wishing happy birthday to Eli "Lucky" Thompson, who would have turned 91 on this Tuesday, June 16, and Billy Drummond, who turns 55 on Thursday, June 19. We're also celebrating some anniversaries of a few recording sessions we love that feature compositions from our catalog: Grant Stewart's "More Urban Tones" (June 15, 1995), Hank Mobley's "Dippin'" (June 18, 1955), Benny Golson's "Gone With Golson" (June 20, 1959), and Nat Adderley's "Good Company" (June 20 & 21, 1994). There's no better way to celebrate than releasing some new lead sheets, transcriptions, and arrangements!

    Check out these new additions to jazzleadsheets.com:

    ELI "LUCKY" THOMPSONTo A Mornin' Sunrise master this sensitive ballad with lucky's own melody transcription

    GRANT STEWARTManhattan Bridge a moody post-bop ballad

    CURTIS FULLERBit Of Heaven a bit of your own jazz heaven -- try the Fuller-Golson two horn arrangement for yourself

    RAY BRYANT:  Staccato Swing a minor medium up swing with parts for tenor, trombone, & piano

    ROB BARGAD: Rob's New Song distinctive soulful flair & powerful changes

    ROB BARGADWar Zone a driving uptempo swing

    HANK MOBLEYThe Break Through NEW for drums - Billy Higgins drum transcription

    Psst! Did you know you can see all of our transcribed solos in one place? Check out this tour of the Transcribed Solos page!

    Enjoy the music, Don Sickler and the jazzleadsheets.com team

  • new August 17, 2012

    Bel-Aire (Ray Bryant) Another great Ray Bryant head which challenges you to fly over your instrument. A must for any trumpet players who think they can play anything.

    Gayle’s Groove (Mickey Bass) An interesting ten-measure followed by fourteen-measure form. Originally recorded in a two horn quintet format so second part editions are also available.

    T.H.E. Blues (Steve Davis) An unusual form: 15 measure blues in a challenging key (A-flat minor).

    Ka-Link (Philly Joe Jones) It starts out as a cute Latin blues head and develops into a larger AABCAD format, with alternations from Latin to swing. Soloing on the record was just blues choruses. The expanded head format can open you up to exploring different soloist formats.

    Listen To Mister Jones (Philly Joe Jones / Rachel Gould) [vocal] If you’re a vocalist, and have a drummer you want to feature, this is for you. It’s the lyric version of Ka-Link, with Rachel’s complete track and an accompaniment-only track (MP3).

    other new vocal titles:

    Do You Feel What I Feel? (Rachel Gould) [vocal] A beautiful, evocative exploration recorded by a voice/bass duo.

    He’s A Man (Curtis Fuller / Judy Niemack) [vocal] Judy’s lyric to the Fuller instrumental Sagittarius explains what that Zodiac sign means in a delightful way. Judy’s own performance, as well as an accompaniment-only MP3, are available. Also, Judy’s new publication, Hear It and Sing It: Exploring the Blues is now in print and can be purchased from Hal Leonard and Amazon.com. Some really great new blues to sing! Hear It and Sing It! is a fun and effective method.

    I’ll Blame It On The Samba (Ray BryantTina May) [vocal] Tina May’s lyric to Ray’s Samba Elegante, it’s a fun song to sing. Tina’s recording, with Ray Bryant himself on piano, and the accompaniment-only MP3 are available.

    Just A Little Boy (Sergio Mihanovich) [vocal] A beautiful ballad with a charming lyric. Simple and easy to customize to your own style. Gloria Cooper’s recording as well as an accompaniment-only version are available.

    Miracle Of Spring (Meredith d’Ambrosio) [vocal] A lyrical melody full of Meredith’s optimism. A vocal transcription of Meredith’s interpretation, plus an accompaniment-only MP3 track.

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